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I have been writing trailer music for over 10 years. In that time I have amassed over 100 placements, multiple awards, and time to spend with my family.
In this course, I have distilled huge amounts of my knowledge and experience to show you step-by-step how to write trailer music that gets placed!
Writing trailer music can be easy, if you follow the right framework, but what is the right framework?In 2014, I took my side hustle of composing music and turned it into my full-time gig.
I then started getting people asking me how I did it; How do I manage to make a living from my music?
The answer was simple...Trailer Music.
I started trying to tell people how I do what I do. I even offered them my contacts if they managed to turn around a decent demo.
The thing that surprised me was how few people knew how to structure a trailer cue. No one knew how to.
As I continued down this path it became more and more obvious to me that there was a huge gap in music education - no one was teaching people how to write trailer music. And so the Trailer Music Course was born.
Trust me when I say I know how frustrating it is when your music just isn't holding up against the pros.
When I started in trailer music I was thrown into the deepened. I was pitching for huge Hollywood blockbusters against some of the best composers/producers in the industry and I WAS STRUGGLING.
β I couldn't get the structures right.
βI couldn't get my mixes to sound big enough.
β I couldn't make all those cool sound effects.
I began to lose any confidence I had in myself. But I persisted.
I kept working on my craft getting feedback from as many people as possible. And gradually it began to click and I began to land regular placements.
When I finally figured out what works I couldn't keep it a secret from anyone. I wanted to share all the knowledge I could to help all composers that wanted it.
To this day I still want to share as much knowledge as I possibly can with my students because I so wanted that help myself when I started out.
A simple introduction to the course and what you can expect to learn.
Welcome to the Trailer Music Course
Before You Start
This section is all about getting you set up to create trailer music.
The tools of the trade
Why workflow is important
Creating your template
Creating Aux channels in Logic X
Connecting buses and sends
Colour-coding your mixer
Loading Instruments into your template
Saving Presets
This section is designed to help you understand how to "mix" your sounds and where you could place them in the stereo field.
The Sonic Dimensions
Orchestral Instrument Frequencies
Panning your instrumentsπ₯
Compression and Reverbπ₯
Hi Pass Filtering
I show you the ins and outs of MIDI and how to use it to make your music sound even better!
All about MIDI
Utilising Velocity
Utilising Modulation
Using different Voicings
In this section, I show you how to start creating your own samples to make your music more unique and help you to stand out from the crowd.
Creating your own samples
Creating Epic Hits - part 1
Creating Epic Hits - part 2
Stopdowns with Sub Falls
Up the ante with Risers, Rips, Whooshes
Creating Braaams
Review of what you have learned so far
In this section, I teach you the role of Act 1 in every trailer and we start composing our first act.
Art of Writing Trailer Music
Using pads to create a mood
Using pads to create movement
Using low frequencies to create depth
Introducing simple thematic material
Composing Act One from scratch
In this section, I show you the role of Act 2 in every trailer and we start composing the second act of our cue.
Introducing Act 2
Using Chord Sequences
String Patterns
Writing Driving Percussion
Pulsing Bass for Pace
Composing Act 2 from scratch
In this section, I teach you the role of Act 3 in every trailer and we start composing our third act.
Introducing Act 3
Sketching out Act 3
Fleshing out the chords of Act 3
Act 3 Drums
Act 3 Pads
Finishing touches to Act 3
Mixing and exporting your trailer cue
We are honoured to have the one and only Toby Mason giving you an amazing masterclass in mixing and mastering your trailer music.
Mixing Masterclass - Part 1
Mixing Masterclass - Part 2
Mixing Masterclass - Part 3
One-time payment. No subscription. 100% money-back guarantee.
I started writing music for movie trailers in 2011. Then in 2017 I started teaching other people how to write music for trailers too.
Writing trailer music can be very daunting. On the one hand you have to write great ideas, often recorded yourself, then produce them to the highest possible standard. All from the comfort of your own studio. Or in my case, front room.
Learning to do this is tough, frustrating and sometimes gets you down. That's why I started creating courses. To help make writing music for trailers, ads, TV (and for fun) as simple and as straightforward as reading a book.
Richard Pryn
Course Creator
"As a direct result of Rich's courses and endlessly sharing his knowledge I just landed my first Star Wars trailer!!!"
"I love watching Richard explain his process WHILE he is composing and producing. It has given me some clarity on the things I need to focus on while producing stuff. I like melodies, harmonies and sounds but I often don't know what a track needs. Watching Richard has helped me figure that stuff out."
- Anna Eichenauer, Composer
"I've just been asked to do a 10-track album for a well-known production library. This is literally thanks to Rich's courses helping me make those vital changes to take my music from being nice...to being placeable (within ..what 10 weeks of signing up for the TMS??) So...thanks for passing on what you've learned."
- Dave Graham, Composer
If you're unhappy with the course, or you simply change your mind within 30 days of registration, you may request a full refund, provided you haven't accessed more than 30% of the course (not counting any publicly available portions, or anything included in the Welcome module).
Yes, you do need to be able to use a DAW so you can follow along with the videos.
Nope, you can use whichever DAW you please as long as you know how to use it.
The wonderful thing about this, and all of my courses is that I try to steer clear of getting too deep into theory. You will be at an advantage if you know how to harmonise the major/minor scales but aside from that you won't need any theory.
I am so blessed to have had the amazing mixing and mastering engineer Toby Mason produce an hour-long masterclass in Trailer Music mixing and mastering. He shows you how to mix and master your music to a Hollywood standard within the course.
Of course not! What I can say is that of all the composers and producers who have taken this course, the ones who are getting work as trailer music composers are the ones who put the hours into their work. They also happen to be super nice people (industry secret there)
Forever. You bought the course and you own it for life. Access it anytime you want. Youβll also get all the course updates and new lessons for FREE forever. This is NOT a membership or subscription course.
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You've read this far because you know the value of in-depth industry insights from someone actually doing it.
Your epic-sounding trailer music is just one click away.
One-time payment. No subscription. 100% money-back guarantee.