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The Trailer Music Course

$199.00

Learn how to write music for movie trailers and get that massive Hollywood sound ๐Ÿ’ฅ

โœ‹๐Ÿฝ Stop wasting time trying to figure out how the pros get that trailer sound and let me show you every single step of the process from creating your own sounds to mastering your track.

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You don't have to be a pro to sound like one!

I have been writing trailer music for over 10 years. In that time I have amassed over 100 placements, multiple awards, and time to spend with my family.

In this course, I have distilled huge amounts of my knowledge and experience to show you step-by-step how to write trailer music that gets placed!

Writing trailer music can be easy, if you follow the right framework, but what is the right framework?In 2014, I took my side hustle of composing music and turned it into my full-time gig.

I then started getting people asking me how I did it; How do I manage to make a living from my music?

The answer was simple...Trailer Music.

I started trying to tell people how I do what I do. I even offered them my contacts if they managed to turn around a decent demo.

The thing that surprised me was how few people knew how to structure a trailer cue. No one knew how to. 

As I continued down this path it became more and more obvious to me that there was a huge gap in music education - no one was teaching people how to write trailer music. And so the Trailer Music Course was born.

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๐Ÿคฆ๐Ÿปโ€โ™‚๏ธ Struggling to get that big trailer sound?

Trust me when I say I know how frustrating it is when your music just isn't holding up against the pros.

When I started in trailer music I was thrown into the deepened. I was pitching for huge Hollywood blockbusters against some of the best composers/producers in the industry and I WAS STRUGGLING.

โŒ I couldn't get the structures right.

โŒI couldn't get my mixes to sound big enough.

โŒ I couldn't make all those cool sound effects.

I began to lose any confidence I had in myself. But I persisted. 

I kept working on my craft getting feedback from as many people as possible. And gradually it began to click and I began to land regular placements.

When I finally figured out what works I couldn't keep it a secret from anyone. I wanted to share all the knowledge I could to help all composers that wanted it. 

To this day I still want to share as much knowledge as I possibly can with my students because I so wanted that help myself when I started out.

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